Seven works, seven different answers to the same problem: memory has to become physical before a city can walk past it every day. You have followed Brno from bronze genetics to glowing onyx without needing a single conventional hero-on-a-plinth.
Brno gave Leoš Janáček plenty to listen to long before anyone carried headphones through the city. He wrote down market voices as music, heard public conflict turn into a piano work, filled a hall with a mass that sounded anything but conventional, and kept listening on ordinary walks almost until the end of his life. This six-stop route follows that habit rather than offering a standard composer biography. Look at buildings, people and trees, then notice what your ears are already collecting. The city is the score; your job is to catch it in the act.
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