The route began with market voices and ends with the same raw material Janáček kept returning to: ordinary sound. If you now hear a tram brake, a half-finished sentence or a bird call as something with shape and rhythm, Brno has already supplied the encore.
Culture likes to pretend that it simply exists, waiting for intelligent people to recognise it. Brno tells a less innocent story. On this walk, a noble palace becomes a public library, an artists' house has its facade ideologically edited, a bank learns to broadcast, a monastery becomes a governor's residence and then a gallery, and useful objects demand museum status. Seven entirely new stops reveal culture as a sequence of decisions: what to preserve, erase, classify, transmit, display and fund. You do not need an art-history degree. You only need to keep asking who was allowed to choose.
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